Team Starkid the Guy Who Didnt Like Musicals Review
Information technology'due south the perfect musical for all those who wonder how all of the people in the worlds of musicals always know the complicated song-and-dance numbers that make upwardly musicals! The newest musical from Squad Starkid takes inspiration from sci-fi films and musicals such asLilliputian Shop of Horrorsequally a meteor featuring an conflicting intelligence known just as the Apotheosis – an intelligence that makes all who encounter it intermission out into song-and-dance. It's a whole lot of fun and I quite enjoyed it.
Paul (Jon Matteson) is an average guy. He likes movies, and pizza, and boilerplate guy things. He does non similar… musicals. But Paul's small world is almost to come crashing downwards under the weight of unspeakable terror! Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances! The town of Hatchetfield is plunged into a musical hell in… 'The Guy Who Didn't Similar Musicals!'
'The Guy Who Didn't Like Musicals' is a musical horror-comedy by StarKid Productions. It was funded through Kickstarter and had its premiere run in Los Angeles, CA in October, 2018. It features a volume by Nick & Matt Lang, and music & lyrics past Jeff Blim.
The Guy Who Didn't Like Musicals isn't one of Starkid's all-time musicals but information technology's non 1 of their worst, either. If I had to place it on a list, it'd probably be in the upper half of their musicals. It'south very good and very enjoyable. The only part that I didn't actually honey was some of the songs. The soundtrack is a fleck of a mixed pocketbook. Much of it is fun, but some of the songs just don't land for me. That's mainly downwards to Jeff Blim's songwriting style, I think, equally I had like problems withTrail to Oregon, the other Starkid musical that he wrote the music for. It sometimes seems like the tune of the lyrics he writes doesn't always friction match the melody of the music he's written, and then the songs don't quite mesh together as well as you lot'd desire them to. They're catchy enough and the lyrics are well written, information technology's only that the melodies don't line up quite correct and it proves to be very distracting for me. That disjointed nature kind of works for a show like this as the whole premise is that these people have been infected by an conflicting intelligence that is making them sing and dance, then you could plausibly say that the reason the lyrics and music don't always line upward is down to the fact that these people are infected by aliens. But, as this is a musical, it is kind of of import for the music to fire on all cylinders. At that place are a few songs that stand above the residuum, namely "Bear witness Stoppin Number", "Non Your Seed", and "Join United states of america (And Die)". Those three songs are just excellent and allow each of the soloists a brilliant chance to shine. None of the residual of the songs are bad or anything, it'south just that some work ameliorate than others.
That being said, the residue of the bear witness really, actually works. The script (written by Nick and Matt Lang) is fantastic. There are so many references to musicals within information technology and the characters are all immediately identifiable, distinct, and engaging that it'southward hard non to get sucked into this world. Every musical fan knows someone similar Paul who justhates musicals and loves to shit on people who similar them. On the flip side, every person who'south similar Paul knows a bunch of people who are obsessed with musicals and can't shut up about them. Even though I don't concur with Paul's point-of-view (every bit I love musicals), he is immediately sympathetic and watching his terror rise to the surface every bit he realizes what this apocalypse is causing is a genuine delight to behold. The evidence plays out like most alien-invasion stories, which is fine as the script is clearly a send-up of those kinds of stories. The ending owes a lot to shows likeLittle Shop of Horrors for reasons that are utterly apparent when you lot watch it. The jokes are every bit funny equally you'd await a Starkid show to be and the pacing is pretty superb. From a writing standpoint, this show is bully.
It's also actually great from an acting and design standpoint! The Starkid shows ever characteristic some pretty stellar acting andThe Guy Who Didn't Like Musicals is no exception! As always, Lauren Lopez is brilliant; here, she plays Emma – a barista who, like Paul, isn't peculiarly interested in musicals – and she excels as the female atomic number 82. Her songs are great and her comedic timing is even better. Robert Manion is hilarious as Professor Hidgens – one of Emma's teachers – and his big musical number, "Bear witness Stoppin Number", is the highlight of the show. Joey Richter, Jeff Blim, and Corey Dorris all give reliably solid performances, every bit always, each bringing their own brand of humor to their roles. Jaime Lyn Beatty is gut-wrenchingly hilarious as Charlotte and it'due south always squeamish when she'southward given a song where she can actually stretch her pipes out. Newcomers Mariah Rose Religion and Jon Matteson are both superb. Mariah plays a series of smaller roles, but she makes a pretty big splash with them and has some killer vocals. Equally mentioned earlier, Jon is great every bit Paul, the lead of the story. He doesn't sing for well-nigh of the show, just when he does, it's worth the expect. He has some dandy comedic timing and he plays the role and then directly that information technology's simply so dang funny. The set design, by Corey Lubowich, is minimalistic merely perfectly suited for the material and, when combined with Sarah Petty's light design, works remarkably well. Information technology's visually interesting and gets the task done. June Saito's costumes are, predictably, wonderful and all of these elements really come up together to make this evidence expect and sound really good.
All in all,The Guy Who Didn't Like Musicals is another not bad musical from Starkid Productions. It's a loving pastiche of b-sci-fi movies and features a massively talented cast delivering well-written and clever dialogue. Nick Lang's directing, combined with the interim and the design elements, assistance ground this fantastical musical in some semblance of reality. Jon Matteson'due south grounded performance brings the audience right into the story equally we are forced to imagine how we'd deal with an apocalypse that causes us all to sing and trip the light fantastic. While I'k not a huge fan of the score, it does its chore and does characteristic some prissy, catchy songs. On the whole, it's a great fashion to spend ii hours of time. It'southward funny, emotional, and well-made. Information technology's another hit from Team Starkid and I'thou glad to run across them still making keen stuff!
iv out of 5 wands
Source: https://thoroughlymodernreviewer.com/2018/12/24/the-guy-who-didnt-like-musicals-review/
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